Member Publications, 2013

Books on Italian Art & Architecture (2013)

Click on the book covers below to view in  Amazon. Any purchases made from these related links, no matter the item, will return a percentage of your purchase to the Society at no extra cost to you.  More information.

A. Victor Coonin and Debra Pincus, eds. A Scarlet Renaissance: Essays in Honor of Sarah Blake McHam (New York: Italica Press, 2013).

Anita Fiderer Moskowitz. Forging authenticity: Giovanni Bastianini and the Neo-Renaissance in Nineteenth-Century Florence (Florence: Leo S. Olschki, 2013).

Sarah Blake McHam. Pliny and the Artistic Culture of the Italian Renaissance: The Legacy of the “Natural History”  (New Haven and London: Yale University Press, 2013).

Livio Pestilli. Paolo De Matteis: Neapolitan Painting and Cultural History in Baroque Europe. (Farnham, England: Ashgate 2013).

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Catherine R. Puglisi and William L. BarchamNew Perspectives on the Man of Sorrows(Kalamazoo: Medieval Institute Publications, 2013).

Sheryl E. ReissExhibitions Close Up – Bernini: Sculpting in Clay (http://scalar.usc.edu/hc/caa.reviews-bernini/index, 2013).

Perri Lee Roberts. The Material of Culture: Renaissance Medals and Textiles from the Ulrich A. Middeldorf Collection (Athens, GA: Georgia Museum of Art, University of Georgia, 2013).

Timothy B. Smith and Judith B. Steinhoff, eds. Art as Politics in Late Medieval and Renaissance Siena (Farnham, Surrey, and Burlington, VT: Ashgate Press, 2013).

Articles on Italian Art (2013)

Click on the book covers below to view in  Amazon. Any purchases made from these  related links, no matter the item, will return a percentage of your purchase to the Society at no extra cost to you.  More information . Journal covers will take you to the related journal’s website.

Michael Amy. “Lorenzo il Magnifico’s Façade for the Cathedral of Florence and Michelangelo’s Apostle Statues, with an Addendum on the St. Matthew in 1515” in Michelangelo Buonarroti: Leben, Werk und Wirkung / Michelangelo Buonarroti: Vita, Opere, Ricezione: Approdi prospettive della ricerca contemporanea. (Frankfurt: 2013.)

 

Artibus et Historiae 2013 Lilian Armstrong. “A Manuscript of Francesco Petrarca’s Libro degli uomini famosi Illuminated by Cristoforo Cortese in Early Quattrocento Venice,” Artibus et Historiae no. 67 (2013): 73-100.
Itatti studies Niall Atkinson. The Republic of Sound: Listening to Florence at the Threshold of the Renaissance,” I Tatti Studies in the Italian Renaissance, Vol. 16, No. 1/2 (Fall 2013), 57-84 (Winner I Tatti Prize for Best Essay by a Junior Scholar)
ManOfSorrowsCoverF William L. Barcham. “Six Panels by Michele Giambono, ‘pictor Sancti Marci,'” in New Perspectives on the Man of Sorrows (Kalamazoo: Medieval Institute Publications, 2013).
Artibus et Historiae 2013 William L. Barcham. “Deferential or Formulaic? Antonio Vivarini and the Sacred Image of the Man of Sorrows,” Artibus et Historiae no. 67 (2013): 57-72.
jsah.2013.72.issue-2.cover Katherine M. Bentz. “The Afterlife of the Cesi Garden: Family Identity, Politics, and Memory in Early Modern Rome,” JSAH 72:2 (June 2013): 134-65.
David Boffa. “Sculptors’ Signatures and the Construction of Identity in the Italian Renaissance” in A Scarlet Renaissance: Essays in Honor of Sarah Blake McHam ed. A.V. Coonin and D. Pincus (New York: Italica Press, 2013).
Meghan Callahan. “Bronzino, Giambologna & Adriaen de Vries: Influence, Innovation and the Paragone” in A Scarlet Renaissance: Essays in Honor of Sarah Blake McHam ed A.V. Coonin and D. Pincus (New York: Italica Press, 2013).
Sandra Cardarelli. “Matteo di Giovanni and the Civic Patrons of Southern Tuscany,” in  Visible Exports / Imports: New Research on Medieval and Renaissance European Art and Culture  , ed. Emily Jane Anderson, Jill Farquhar and John Richards (Newcastle upon Tyne: Cambridge Scholars Publishing, 2013), pp. 99-124.
Microsoft Word - 00CoverFront.doc Sandra Cardarelli. “Francesco di Giorgio’s Frescoes and the Confraternity of the Madonna delle Nevi in Campagnatico: Art Patronage and Ritual Celebration in Southern Tuscany,” ComitatusA Journal of Medieval and Renaissance Studies, 44 (2013): 157-186.
Arnold Victor Coonin“‘The Spirit of Water’: Reconsidering the Putto Mictans Sculpture in Renaissance Florence,” in A Scarlet Renaissance: Essays in Honor of Sarah Blake McHam ed A.V. Coonin and D. Pincus (New York: Italica Press, 2013).
Rebecca W. Corrie. “Images of the Virgin and Power in Late-Duecento Siena,” in Art as Politics in Late Medieval and Renaissance Siena, ed. Timothy B. Smith and Judith B. Steinhoff (Farnham, Surrey, and Burlington, VT: Ashgate Press, 2013), 83-96.
Douglas N. Dow. “Historical Veneers: Anachronism, Simulation, and Art History in Assassin’s Creed II,” in Playing with the Past: Digital Games and the Simulation of Historyed. Matthew Wilhelm Kapell and Andrew B.R. Elliott (New York: Bloomsbury, 2013), 215–231.
Phillip Earenfight. “Civitas Florenti[a]e: The New Jerusalem and the ‘Allegory of Divine Misericordia,'” in A Scarlet Renaissance: Essays in Honor of Sarah Blake McHam ed A.V. Coonin and D. Pincus (New York: Italica Press, 2013).
Artibus et Historiae 2013 Luba Freedman. “Apelles, Giovanni Bellini, and Michelangelo in Titian’s Life and Art,” Artibus et Historiae no. 67 (2013): 251-273.
Ann Johns. “Cistercian Gothic in a Civic Setting: The Translation of the Pointed Arch in Sienese Architecture, 1250-1350,” in Art as Politics in Late Medieval and Renaissance Siena, ed. Timothy B. Smith and Judith B. Steinhoff (Farnham, Surrey, and Burlington, VT: Ashgate Press, 2013), 39-60.
Linda A. Koch“Medici Continuity, Imperial Tradition and Florentine History: Piero de’ Medici’s ‘Tabernacle of the Crucifix’ at S. Miniato al Monte,” in A Scarlet Renaissance: Essays in Honor of Sarah Blake McHam ed A.V. Coonin and D. Pincus (New York: Italica Press, 2013).
Robert G. La France“Bronzino and His Friends: the Medici-Toledo Tapestries,” in Agnolo Bronzino: Medici Court Artist in Context ed. Andrea Galdy (Newcastle upon Tyne: Cambridge Scholars, 2013), 67-80.
Renaissance Studies Louise Marshall. “Plague in the City: Identifying the Subject of Giovanni di Paolo’s Vienna Miracle of Saint Nicholas of Tolentino,” Renaissance Studies 27 (November 2013): 654-80.
RQ 2013_3 Daniel Wallace Maze. “Giovanni Bellini: Birth, Parentage, and Independence,” Renaissance Quarterly 66, no. 3 (Fall 2013), pp. 783-823.
theflorentine-home Anita Fiderer Moskowitz. “Masterpiece or Master Fraud? The Sculpture of Giovanni Bastianini” The Florentine, September 12, 2013.
Studi Trentini Anita Fiderer Moskowitz. “Stefano Bardini: The Early Years,” Studi Trentini.Arte 92, no. 2 (2013), pp. 267-88.
Source 2013 Livio Pestilli. “The Artist’s Signature as a Sign of Inauthenticity,” Source 32, no. 3 (Spring 2013): 5-16.
Debra Pincus. “‘Like a Good Shepherd’: A Tribute to Sarah Blake McHam,” in A Scarlet Renaissance: Essays in Honor of Sarah Blake McHam ed A.V. Coonin and D. Pincus (New York: Italica Press, 2013).
Artibus et Historiae 2013 Debra Pincus. “Signatures of the Lombardo Workshop,” Artibus et Historiae no. 67 (2013): 161-74.
ManOfSorrowsCoverF Catherine R. Puglisi. “Veronese’s Visioning of the Man of Sorrows,” in New Perspectives on the Man of Medieval Institute Publications, 2013).
Reiss Late_Raphael_Cover Sheryl E. Reiss. “Raphael, Pope Leo X, and Cardinal Giulio de’ Medici,” in Late RaphaelProceedings of the International Symposium, ed. Miguel Falomir (Madrid:  Museo Nacional del Prado and Brepols, 2013), 14-25.
Sheryl E. Reiss. “Beyond Isabella and Beyond: Secular Women Patrons in Early Modern Europe,” in The Ashgate Research Companion to Women and Gender in Early Modern Europe, ed. Allyson M. Poska, Jane Couchman, and Katherine A. McIver (Farnham, Surrey, UK and Burlington, VT: Ashgate: 2013), 445-67.
Sheryl E. Reiss. “A Taxonomy of Art Patronage in Renaissance Italy,” in in A Companion to Renaissance and Baroque Art, ed. Babette Bohn and James M. Saslow (Chichester, West Sussex UK: John Wiley & Sons, 2013), 23-43.
GRJ 2013 Perri Lee Roberts. “Ulrich A. Middeldorf (1901–83) and Textiles,” Getty Research Journal 5 (2013): 189–96
Timothy B. Smith. “Politics and Antiquity in the Baptist’s Chapel Façade,” in Art as Politics in Late Medieval and Renaissance Siena, ed. Timothy B. Smith and Judith B. Steinhoff (Farnham, Surrey, and Burlington, VT: Ashgate Press, 2013), 141-62
Tamara Smithers. “ ‘SPQR/ CAPITOLIVM RESTITVIT’: The renovatio of the Campidoglio and Michelangelo’s Use of the Giant Order,” in Perspectives on Public Space in Rome, from Antiquity to the Present Dayed. Gregory Smith and Jan Gadeyn (Farnham, Surrey, and Burlington, VT: Ashgate Press, 2013), 157–83.
Judith B. Steinhoff. “Urban Images and Civic Identity in Medieval Sienese Painting,” in Art as Politics in Late Medieval and Renaissance Siena, ed. Timothy B. Smith and Judith B. Steinhoff (Farnham, Surrey, and Burlington, VT: Ashgate Press, 2013), 15-38.
Artibus et Historiae 2013 Carolyn C. Wilson. “St Joseph and the Process of Decoding Vincenzo Catena’s Warrior Adoring the Infant Christ and the Virgin,” Artibus et Historiae no. 67 (2013): 117-136.